Arabic Books
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KWD3.30 -
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How Novels Work
Pages: 368,
Specialty: Literature,
Publisher: Oxford UP,
Publication Year: 2008,
Cover: Paperback,
Dimensions: 129x196x24mm
Never has contemporary fiction been more widely discussed and passionately analysed; recent years have seen a huge growth in the number of reading groups and in the interest of a non-academic readership in the discussion of how novels work. Drawing on his weekly Guardian column, 'Elements of Fiction', John Mullan examines novels mostly of the last ten years, many of which have become firm favourites with reading groups. He reveals the rich resources of novelistic technique, setting recent fiction alongside classics of the past. Nick Hornby's adoption of a female narrator is compared to Daniel Defoe's; Ian McEwan's use of weather is set against Austen's and Hardy's; Carole Shield's chapter divisions are likened to Fanny Burney's. Each section shows how some basic element of fiction is used. Some topics (like plot, dialogue, or location) will appear familiar to most novel readers; others (metanarrative, prolepsis, amplification) will open readers' eyes to new ways of understanding and appreciating the writer's craft. How Novels Work explains how the pleasures of novel reading often come from the formal ingenuity of the novelist. It is an entertaining and stimulating exploration of that ingenuity. Addressed to anyone who is interested in the close reading of fiction, it makes visible techniques and effects we are often only half-aware of as we read. It shows that literary criticism is something that all fiction enthusiasts can do. Contemporary novels discussed include: Monica Ali's Brick Lane; Martin Amis's Money; Margaret Atwood's The Blind Assassin; A.S. Byatt's Possession; Jonathan Coe's The Rotters' Club; J.M. Coetzee's Disgrace; Michael Cunningham's The Hours; Don DeLillo's Underworld; Michel Faber's The Crimson Petal and the White; Ian Fleming's From Russia with Love; Jonathan Franzen's The Corrections; Mark Haddon's The Curious Incident of the Dog in the Night-time; Patricia Highsmith's Ripley under Ground; Alan Hollinghurst's The Spell; Nick Hornby's How to Be Good; Ian McEwan's Atonement; John le Carre's The Constant Gardener; Andrea Levy's Small Island; David Mitchell's Cloud Atlas; Andrew O'Hagan's Personality; Orhan Pamuk's My Name Is Red; Ann Patchett's Bel Canto; Ruth Rendell's Adam and Eve and Pinch Me; Philip Roth's The Human Stain; Jonathan Safran Foer's Everything Is Illuminated; Carol Shields's Unless; Zadie Smith's White Teeth; Muriel Spark's Aiding and Abetting; Graham Swift's Last Orders; Donna Tartt's The Secret History; William Trevor's The Hill Bachelors; and Richard Yates's Revolutionary Road . show more
Weight: 0.27 KG
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How To Interpret Literature Critical Theory for Literary and Cultural Studies
Pages: 416,
Specialty: Literature,
Publisher: Oxford UP,
Publication Year: 2014,
Cover: Paperback,
Dimensions: 141x211x22mm
Offering a refreshing combination of accessibility and intellectual rigor, How to Interpret Literature: Critical Theory for Literary and Cultural Studies, Third Edition, presents an up-to-date, concise, and wide-ranging historicist survey of contemporary thinking in critical theory. The only book of its kind that thoroughly merges literary studies with cultural studies, this text provides a critical look at the major movements in literary studies since the 1930s, including those often omitted from other texts. It is also the only up-to-date survey of literary theory that devotes extensive treatment to Queer Theory and Postcolonial and Race Studies. How to Interpret Literature is ideal as a stand-alone text or in conjunction with an anthology of primary readings such as Robert Dale Parker's Critical Theory: A Reader for Literary and Cultural Studies. Distinctive Features * A conversational and engaging tone that speaks directly to today's students * Wider coverage than any book of its kind * A rich assortment of pedagogical features (charts, text boxes, photos, and suggestions for further reading) show more
Weight: 0.48 KG
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If Not Critical
Pages: 272,
Specialty: Literature,
Publisher: Oxford UP,
Publication Year: 2018,
Cover: Hardback,
Dimensions: 147x223x22mm
Eric Griffiths delivered hundreds of lectures at the Faculty of English in Cambridge, yet his lectures were never turned into books. If Not Critical brings together ten lectures, published here for the first time, that offer a representative selection of Dr Griffiths' original, fully-argued, and richly exemplified contributions to literary criticism and literary history. Crammed into his writing are decades of reading in several languages and across most genres and literary periods. In these lectures, he pursues the blind spots not only of other people's arguments, but of the whole business of criticism in general, with what he calls its 'over-concentration on a narrow range of examples . . . such over-concentration warps our thinking'. Implicit and explicit throughout his work is the argument that 'an appropriately wide range of instances is essential to making progress in conceptualisation'; that what we need, in order to do better thinking, is 'a keener attention to a greater variety of examples'. Such examples include, in these lectures, the works of Shakespeare, Dante, Kafka, Beckett, Racine, Rabelais, T. S. Eliot, and Jonathan Swift. show more
Weight: 0.46 KG
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Introducing English Syntax
Pages: 264,
Specialty: Literature,
Publisher: Taylor & Francis,
Publication Year: 2018,
Cover: Paperback,
Dimensions: 159x235x22mm
Introducing English Syntax provides a basic introduction to syntax for students studying English as a foreign language at university. Examining English phrase and sentence structure from a descriptive point of view, this book develops the reader's understanding of the characteristic features of English sentence construction and provides the necessary theoretical apparatus for engaging with the language. Key features include: A unique framework combining theoretical and practical approaches to provide an insight into the intricacies of English syntax; An accessible and clear style which guides the learner through analysis, application and practical construction of sentences; A range of exercises at the end of each chapter and a brand new e-resource housing answers and commentaries to these exercises. This book requires no previous knowledge of linguistics and is essential reading for students and teachers of applied linguistics and EFL/ESL, as well as those who seek a basic grounding in English sentence structure. show more
Weight: 0.84 KG
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Introducing Genre and English for Specific Purposes
Pages: 206,
Specialty: Literature,
Publisher: Taylor & Francis,
Publication Year: 2018,
Cover: Paperback,
Dimensions: 159x235x12.7mm
Introducing Genre and English for Specific Purposes provides an overview of how genre has been conceptualized and applied in ESP, as well as the features that distinguish ESP genre research and teaching from those of other genre schools. The macro and micro aspects of ESP genre-based pedagogy are also analyzed and include: different possibilities for planning and designing an ESP genre-based course; the concrete, micro aspects of materials creation; how genres can be learned through play. Featuring tasks and practical examples throughout, the book is essential reading for students and pre-service teachers who are studying genre, English for Specific Purposes or language teaching methodologies. show more
Weight: 0.34 KG
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Introduction to Foreign Language Learning and Teaching
Pages: 326,
Specialty: Literature,
Publisher: Taylor & Francis,
Publication Year: 2018,
Cover: Paperback,
Dimensions: 171x248x22mm
An Introduction to Foreign Language Learning and Teaching provides an engaging, student-friendly guide to the field of foreign language learning and teaching. Aimed at students with no background in the area and taking a task-based approach, this book: introduces the theoretical and practical aspects of both learning and teaching;provides discussion and workshop activities throughout each chapter of the book, along with further reading and reflection tasks; deals with classroom- and task-based teaching, and covers lesson planning and testing, making the book suitable for use on practical training courses;analyses different learning styles and suggests strategies to improve language acquisition;includes examples from foreign language learning in Russian, French, and German, as well as English;is accompanied by a brand new companion website at www.routledge.com/cw/johnson, which contains additional material, exercises, and weblinks. Written by an experienced teacher and author, An Introduction to Foreign Language Learning and Teaching is essential reading for students beginning their study in the area, as well as teachers in training and those already working in the field. show more
Weight: 0.57 KG
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Island Cross-talk Pages from a Diary
Pages: 226,
Specialty: Literature,
Publisher: Oxford UP,
Publication Year: 1986,
Cover: Paperback,
Dimensions: 129x198x17mm
Written between 1919 and 1925, 'Island Cross-Talk' was the first book to come out of the Blasket Islands - that tiny, remote community off the west coast of Kerry. Springing from a powerful oral tradition, it captured the moment of transition from speech to writing, and sowed the seeds of a rich and extraordinary flowering of literature that was to make the Blaskets famous throughout the world. In these vivid, unadorned sketches from his diary, Tomas O'Crohan writes from the immediacy of his experience: the beauty and the dangers of the island and the sea; the hardship, poverty, and hunger; but also the flashes of humour, the friendships, the intensity of life. In 1953 the Great Blasket was abandoned to the seagulls and the silence. Tomas O'Crohan composed his own epitaph, and that of his community, when he wrote 'the like of us will never be again'. show more
Weight: 0.25 KG
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